Canada’s meeting place for freelance writers and creators

Established 2010

Now that the "age of self-publishing" is being heralded for both long-form journalists and book authors, the question of self-funding, so to speak, is on more and more writers' minds. The ability to publish and market one's work, using platforms like Amazon's Kindle Singles or Apple's iBookstore, can be freeing, once the piece is complete. But getting it to that point can also be a challenge, as funding to cover the sometimes substantial expenses of investigative, long-term projects is harder and harder to come by (though opportunities do pop up here and there).

So why not go straight to your audience?

A few sites have popped up that help individuals raise funds for their projects through crowdsourcing. The 10,000 Words blog recently featured one such service, targeted specifically at photojournalists, called Emphas.is. Photographers submit proposals and budgets for their project, which are reviewed by a "panel of advisors." When a project is accepted, it appears on the site and visitors to the site can start funding it in amounts as low as $10. Like other sites, such as Kickstarter, the project only receives the funds if it meets it target by a pre-set deadline. A unique feature of the Emphas.is model, though, is that a funder who provides more than 50% of a project's budget can get first publication rights. From the site's How It Works page:

Interested media can acquire first publication rights in their market by funding up to 50% of a project. The money raised on Emphas.is is meant for expenses only; it is up to the photojournalist to negotiate a publication fee. Backers will have the first, exclusive viewing of a finished project for 4 days before the photographer can show the work elsewhere. Photographers whose projects are funded through Emphas.is keep the full rights and control over their images.
Also of note: "Emphas.is may display finished projects on its homepage," which makes it sound like they get first publication rights, in addition to the 15% cut they take from the funds raised. So, the model's not a total dream for freelance photojournalists, but, depending on the project, it could open up previously closed doors for some.

Besides Kickstarter, which supports projects ranging from documentary films to comic books to open-source flashlights, freelance writers can check out IndieGoGo — which hosts a similarly wide variety of projects, including journalistic endeavours — or ChipIn, which uses a widget you embed on your homepage or blog or social networking profile to gather funds, instead of hosting profiles of projects looking for funding on its own site. For people who don't have a page of their own, ChipIn will create a simple page at a dedicated ___.chipin.com URL. You may have already heard of Spot.Us, since it is exclusively focused on funding journalistic projects. Like Emphas.is, it partners with media organizations to get stories published after they're funded. When it comes time to publish, their model is a little different, though (see video below and the site's About page).

These sites might not be freelancers' first choices, due to some obvious drawbacks: there's no guarantee that all your hard work promoting the project will gain it the funding it needs, and you're sharing your ideas publicly before you get a chance to work on them. But we're curious to know how often the model works. Have you tried crowdsourcing funding, or do you know anyone who has? The sites listed about posts their success stories, of course, but we'd like to hear some non-promotional tales about your experiences with crowdsourcing funding for your work in the comments.

Being able to slap whatever price tag you want on your own work is one of the most freeing things about self-publishing, but it can also be the most challenging. Not all writers are marketing experts, and, as far as we know, a guide on How to Compete in the E-books Marketplace — with its various publishers and platforms and e-stores — has yet…
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Freelancers maintain personal blogs for all sorts of reasons: to have an all-in-one-place online portfolio, to increase their profile in a particular community or gain a reputation as an authority on a particular topic, to experiment with different types of writing than they get to do in their freelance work, or, often, to post photos of their…
In a shocking revelation, a study of Huffington Post bloggers by researchers at UC Santa Barbara's Carsey-Wolf Center---which included analyzing 500 press clippings about AOL's $315-million acquisition of HuffPo and a survey of HuffPo's most frequent contributors---found that they think they deserve to be paid for their labour, which requires their…
In the video above, Susan Swan, novelist, journalist, and former chair of the Writers' Union of Canada, discusses the Writers’ Coalition Benefits Program, which offers affordable drug, health, and dental care insurance to writers.The Writers' Coalition's latest initiative, coinciding with the federal election, is a campaign to get Ottawa to…
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[caption id="attachment_662" align="alignnone" width="501" caption="Screengrab from Theglobeandmail.com."][/caption] Last night Massey College hosted the third Press Club Night, a series devoted to "celebrating Toronto's community of journalists."Well known Globe columnist and author Christie Blatchford sat down with the college's master,…
[caption id="attachment_622" align="alignnone" width="460" caption="Graphic from the Guild Freelancers of the California Media Workers Guild, posted on the Newspaper Guild's "][/caption]Open letters to publications' management are a last-ditch tactic to right wrongs and spur change—but as we've seen recently, they can be effective.Now, adding…
Why not check it out? The last Press Club event proved to be an interesting evening.

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