Canada’s meeting place for freelance writers and creators

Established 2010

This series of posts by the Born Freelancer shares personal experiences and thoughts on issues relevant to freelancers. Have something to add to the conversation? Your input is welcome in the comments.

Last week I discussed my recommendation -- Audacity software -- for recording on your computer.

 

HOW DO I GET SOUND INTO MY COMPUTER?

This will depend of course upon your computer.

So far I have always bought a computer (desktop or laptop) with an installed "sound card" and an analogue audio line input.

This way I can plug in an analogue piece of gear and its output will be automatically "translated" into digital format inside the computer en route to Audacity.

This is how older analogue equipment can still be used successfully within the new digital recording world. I am a firm believer in the philosophy of waste not, want not. If I have the option of using a superior piece of older analogue equipment I will frequently still use it whenever possible.

The simplest method is to just plug your regular standard analogue microphone right into the sound input socket of your computer. With a bit of luck it might be the right impedance and with a bit of juggling of the sound levels you might get sound into Audacity right away.

But what if the sounds level is too low or if you get a hum (or no sound at all)?

In this case you may need a small mixer or preamp plugged in between the mic and your computer. In such circumstances I always use my Behringer-made Eurorack MX-602A. It is a very handy piece of portable gear and as it is primarily a mixer I use it when I want more than one microphone for my interview (useful in some broadcast applications). That is, with it I can simultaneously use one mic for my subject and one for me. I can set it (and Audacity) so that my subject is recorded on one track (left) and my voice on the second track (right) or both are blended together as a monaural mix, whichever I prefer.

If I am doing a phone interview using the gear I described in my first post, I use the QuickTap  Telephone Handset Tap made by JK Audio. I can also plug that into my MX-602A to give the telephone audio greater clarity and volume and then plug that into my computer for recording. The mixer has very basic equalizer controls which can again help clean up the sound coming from the phone line.

If you don't have a mixer but get low and satisfactory quality sound levels into your computer, you can also simply adjust the recording levels on your computer using Audacity as well as adjusting the playback levels afterwards when you edit and export.

From time to time I still use my trusty old mini-disc recorder when recording on location. It is now considered to be in the realm of so-called obsolete technology but it was only a few years ago the industry standard in use around the world by professional broadcasters. It remains a perfectly serviceable (albeit slightly archaic) medium. I still find it more portable and sometimes more convenient to lug around than my laptop. Once I have a recording on it I can easily transfer it back to my desktop computer for editing on Audacity.

Like some of you I also have many older raw (or unedited) interviews originally recorded and archived on an even older medium, analogue cassette, and these can be similarly played back on a cassette deck and input into my computer and edited/archived/exported using Audacity.

On Friday we'll cover what to do if your computer doesn't have any facility at all for an analogue sound line in.

------

If you have a preference for any other software or basic recording gear we'd appreciate hearing of your experiences. Just leave your thoughts using the "comment" feature below.

At a meeting last week with a coalition of freelancers, Toronto Star management confirmed that it has removed a clause from the contract for contributors to the Grid. The clause was intended to shield the publication from libel, placing more responsibility on the freelancer. The coalition, including members of the Canadian Media Guild, the Canadian…
Once a week, we gather stories about the media business, journalism, writing, publishing, and freelancing—with a Canadian focus—and share them in Off the Wire. Who needs a water cooler?From Canada: Announcing the new National Magazine Awards eBook [National Magazine Awards Foundation] Really, how do writers spend their day? [Globe and…
This series of posts by the Born Freelancer shares personal experiences and thoughts on issues relevant to freelancers. Have something to add to the conversation? Your input is welcome in the comments.  Over a year ago in my very first post for you I discussed the gear I use for recording phone interviews. What I meant to write immediately…
Diversification is without a doubt one of the keys to freelancing successfully. And although opportunities in traditional media seem to be on the decline lately, publishing innovations and new media present writers with exciting new possibilities. The trick is knowing where to find them. I stumbled across one recently and set out to get you the…
Heads up, Story Board readers: a couple of opportunities for journalists have crossed my desk over the past couple of days.Applications for Forum Freelance Fund bursaries are due at the end of this week, August 31st. These bursaries of $2500 and $1000 help Canadian independent journalists attend hazardous environment training courses in the U.S.…
Once a week, we gather stories about the media business, journalism, writing, publishing, and freelancing—with a Canadian focus—and share them in Off the Wire. Who needs a water cooler?From Canada: Rogers Communications to acquire Score Media [Globe and Mail] Random House launches online magazine Hazlitt [Masthead] Postmedia implements…
Once a week, we gather stories about the media business, journalism, writing, publishing, and freelancing—with a Canadian focus—and share them in Off the Wire. Who needs a water cooler?From Canada: Postmedia finds new home in downtown Toronto [J-Source] Mark your calendars: Publishing World, Nov. 17-19, Toronto [Masthead] Canada still…
In this regular feature, Story Board asks Canadian writers to share a few details about their work habits and their strategies for navigating the ups and downs of freelance life. 1. Where are you when most of your story ideas come to you? I hate to say it, I'm usually on deadline so I'm usually in front of a computer. It wasn't always the…
What happens when a freelance writer switches teams? This post from a Canadian freelance writer-cum-editor explores some of the challenges of sitting in the editor's chair. Writers, take heed: this valuable insider info may help smooth the way with the editors in your life. The great connectorIf you’re a writer, journalist, critic, or editor…

Page 131 of 159

First 129 130 131 132 133 Last